The Fujifilm GF 80mm F1.7 Hand’s On Review

This Thing Is Damn Good

I've spent the better part of a year using this lens across various shoots, and in that time, it has gradually become my most used lens for my GFX 100S. This lens has an equivalent focal length of 63mm, and before 2021, that was uncharted territory for my work. Most of the creations I capture range between 35 and 75 perspectives, with the 50mm being a distant third place. 63mm felt like an odd spot to be in — until it wasn't.

I began using this lens "as a 35" to shoot further back and build a scene. Whether it was a concept on my shot list for a project or just an idea in my mind while I was abroad, I would start with this lens at a farther distance to capture more of an establishing shot. After a few frames, I would move in tighter, with details being the primary story of the image. This ping-ponging between two perspectives began to underscore the value of this uber-prime lens. And after all these months across several cities around the world, this process led me to believe that this lens, this GF 80mm F1.7, ranks as the second-best lens for the Fujifilm GFX system.

This 80mm lens is a beefy piece of glass. At nearly 800g, it pulls your camera forward and forces you to wield it with two hands. It feels wholly opposed to the philosophy of lenses on the X-mount system, and it should. What is the GFX system, if not the complete opposite of what the X system values?

This lens boasts exquisite quality, where the seals and gaskets meet near-perfectly. The lining on the focus ring is generous, including a rubber material that won't fray in a way many cheaper lenses may invite. There's a good amount of resistance on this ring, and given the wide diameter, it's something that you can use effectively to pull subtle shifts in focus.

The aperture ring has a decent resistance but is insufficient to prevent you from bumping it out of place. Additionally, a button on the far end locks this into auto mode or command mode, allowing the camera to decide the aperture with a command dial, respectively.

The weather sealing is highly impressive. This lens held up incredibly well in both rain and dusty conditions. I didn't have any particles infiltrate the glass or gaskets, as this design instilled confidence in going to a coastal environment, where salt is thrown around like a cheap buffet.

The lens is built intentionally and meant to last regardless of where you take it. You'll want to take it everywhere when you see the images that this thing produces.

What would you expect from a $2,300 lens made in Japan? Great pictures and that's what you get with the GF 80mm. Images have a healthy amount of sharpness, but the corners begin to fall off slightly when shooting wide open. Push this thing to F4.0, and those concerns are pretty much gone, enabling you to create fantastic tack-sharp, edge-to-edge compositions.

It's also important to consider that this lens can resolve a 102-megapixel sensor with stupid accuracy and clarity. You could punch in and easily catch the follicles of your subject if you wanted to. After using this lens for some time, you quickly realize that this is an expensive pairing, as it must raise the quality of the sensor. I'd even argue that this lens can efficiently resolve an image sensor with twice the resolution.

The look of this lens is exceptional, which may have to do with the slight tradeoff in sharpness made at wider apertures. The optical elements in this lens work together to give you a pleasing image that feels natural and less like a bucket of extra crispy chicken. And as you move into the out-of-focus areas, you see an even and predictable falloff that should impress any professional photographer.

Drawbacks & Challenges

A significant critique that might bother some shooters is potentially experiencing high amounts of purple-fringing when shooting wide open in high-contrast situations. I found this an issue when you punched 100% or 200% into an image. If you stop down to F2.8 or higher, you'll mitigate this effect, but it's still worth noting.

The autofocus in this lens is excellent, don't get me wrong, but the move to use a DC motor instead of a linear motor means that it lags behind some of its GF counterparts. The noise increase may not matter in most environments and, in my opinion, something that you adapt to and work around.

Lastly, the 63mm equivalent focal length is an interesting choice. While this range has some value in the history of medium format imaging, I would've liked something a bit tighter, like a 75mm equivalent. I'm sure some medium-format die-hards will disagree with me, but hey, that makes the Internet beautiful and a stress-inducing death trap for the mental health of billions worldwide.

On that cheerful note — let's move on to how this lens stacks up against its closest competitor.

The Competition

I wrote an entire article on this subject, the 80mm F1.7 versus the 110mm F2.0 for the GFX system, if you want to read a deep dive. These two are arguably the closest competitors that consumers will consider, and which one you choose first will ultimately come down to the nature of your work. The 110mm is unequivocally sharper and faster to focus. With the tighter focal length, steeper price point, and an overall design that resembles a long-range missile, the GF 110mm F2.0 will better suit professional creators.

For creators with more dynamic subject matter or enthusiasts who want just one solid option, the 80mm F1.7 would be a clear winner. It works exceptionally well, and the marginal differences between the 110mm will not feel like a dealbreaker.

If you capture images in well-lit environments, a suite of primes and zooms perform as well, if not better, and at an even more affordable price. Lenses like the GF 63mm or 50mm can perform in a street and travel setting and do so more ergonomically. I say this to remind everyone reading that you really should consider how valuable the F1.7 is to your work. While many individuals may tout this as a game-changing feat, holistically speaking, it's not. It can be inspiring, but just as quickly, a crutch that holds you back as a photographer.

Final Thoughts

Earlier, I mentioned that this lens is the second-best lens on the Fujifilm GFX system, and that has more to do with what this lens is than what it does. This thing is brilliant, and though it may feel like a sawed-off shotgun at times, there's no denying the fantastic image quality it delivers.

However, the perspective here is a bit of a generalist. For most people looking to invest in the GFX system, I'd recommend getting something more specialized for what you're capturing, then consider this 80mm addition to your kit.

The Fujifilm GF 80mm F1.7 is a premium, flexible prime that gives my work more range and works as the connective tissue between other lenses. I feel many users of this product will feel the same way.